This Is Not a Love Song

This is a guest post.

Call me a friend, a helper, pain in the arse...whatever. I've tried for ages to let Paul allow me to blog and well, now I have full reign *mwwaaahahahaha*. I'm not allowed to post 'as' him though.

I've known Paul on and off for some years now. Look, I have proof...yeah, check that one out. We were doing some filming for a friend's rendition of Doctor Who. I look really impressed on that pic. BTW, I'm not the one in the combat gear.

Anyways, enough of this nonsense. 

I am here to try and help Paul achieve world domination as an illustrator. I think it can definitely happen, after all, he is like one of the most talented species of illustrator that I've ever seen. I'm also here to fill in with bloggy stuff when he is taken away from us by unforeseen circumstances. Y'know, like a job. I on the other hand, cannot draw, nor can I paint, although I'm pretty damn killer at painting my nails.

But that's not why I'm writing.

The other day I was watching a show called Cowboy Builders. It's one of those shows where they come over and fix the work of someone who did a botch job on someone's house and then some dude goes off and makes a big fool out of the 'cowboy' in question. In this particular show, they hired a muralist to paint an image on one of the bedroom walls.

A muralist! I immediately contacted Paul and told him he needed to become a muralist. He thought I'd gone mad, but I reminded him of the times he had done some wall paintings of his own.

I seriously think Paul needs to consider expanding his career and add muralist to his repertoire. What do you think?

Fact or Fiction: The Paris and M6 Crashes

I'm published: fact. Not quite for the first time, but this time could be interesting. I was contacted some year-and-a-half ago by a man called Colin Hall. Colin claims to be a security consultant whose job has taken him literally around the world. A paranormal enthusiast, he has become meticulously embroiled in intently investigating some online rumours about mysterious crashes, disappearing bodies and some curiously related blog posts.

Cover of Colin Hall's book.

To cut a long story short. It was my job to illustrate, layout and compile the book; this was no mean feat. It was very much a grubby hands-on affair. I had access to hundreds of photos, hundreds of sketches (Colin Hall cannot draw too well, so I was in the position of re-drawing and making sense of his sketches), stills from a truly baffling youtube video and a ton of text to weave through it all. 

Sample page featuring sketches on lined paper

and stuck-on snippets of reports.

Colin's approach to investigative journalism is holistic; the book is chock full of references to a plethora of conspiracies and spooky mysteries worldwide as he wanted to put the whole thing in context (see the above sample page) as well as drawing possible connections between those more "established" mysteries and this relatively recent one. I use the word "established" tentatively; it's worth noting that a large chunk of the internet now seems transfixed on these happenings, as well as articles in such long-running conspiratorial magazines as The Fortean Times.

Close-up featuring Colin's trip to Paris and polaroids.

Colin Hall's book has certainly been a unique challenge for me and my burgeoning layout skills, I wish him well on his quest. It's a quest which does not end with the book; the reader is encouraged not only to get involved but to report his/her findings to Colin directly. So if the thought of helping unravel a unique and genuine real-time mystery appeals to you, then they may not come much better than this. Will there be a sequel and will you be part of it? Maybe the question ought to be, how many sketches and wine-stained Parisian place mats can I deal with in a lifetime?!

Buy or download the book on Amazon:

http://www.amazon.co.uk/Fact-Fiction-The-Paris-Crashes/dp/1905692986 

The Doomed Bird Of Providence

Last Year I was given the task of illustrating the cover and poster insert for the album "Will Ever Pray," the debut of Australian folk group "The Doomed Bird of Providence".

Final Cover



This was carried out under the guidance of Justin Watson. the man behind the record label Front and Follow. As with most projects the work began with sketches, banding ideas around etc. Though the motive of a fly was pretty much there from the start. Designer Damian O'Hara kept the final album art much simple than I had planned, which was much needed as I often lack the capacity for minimalism of any sort. As you can see from this mock-up.

One of the initial mock-ups

Aside from the fly motive the general theme of the album artwork, as also suggested by Doomed Bird frontman Mark Kluzek was to appear like an etching from the 19th century during which era the album is set; depicting a dark menacing world of genuine, bloody Australian history and downright grim tales of woe. Read more about it on the Front and Follow site.

Poster insert

The images were drawn separately in pen using various references images. The actual cover and posters were ultimately screen printed. The poster also featured a banner designed by Damian which can be viewed on a T-shirt here. Unfortunately sold out! 

Text (a)

I am particularly proud of the text. It was derived from various wild and wonderful typefaces on Victorian-era books which I found from online images. Not knowing quite how it would look scaled down; the text was first drawn hollow as above.

Text (b)

With the final black text being the way to go. All art including text was drawn by hand. The poster drawings were also used in a promotional video by Paul Dawson aka THINKYMAN.

BZZZZZZZZZZZZ!!!!!

Inks for Manchester Art Gallery's Interactive Machine!

The title says it all really. For those that don't know, as well as working freelance I also have a job working at Manchester Art Gallery. Earlier this year I was asked if I'd like to have a crack at doing illustrated interpretations of some of the paintings for their then new Balcony Project. In which gallery decided to fill the balcony space full of paintings and statues; that particular area had been devoid of artworks since Manchester Art Gallery's huge makeover completed in 2002.

Manchester Art Gallery

My interpretations along with written interpretations from other people are availiable to view on a an interactive console in the gallery foyer, situated just below the balcony in question.

Here are my images compliled into one.

Click to enlarge!

The paintings I chose (in descending order) were:
Pymalion and Galatea (1797 Louis Gauffier), Essentially a painting about a sculpture being brought to life in front of it's adoring creator.
Battledore (1906 Leonard Campbell Taylor) In which two middle class women are playing badminton indoors
and The Victory of Appollo (1716 Sir James Thornhill) - image available!! The Greek God Apollo kicking some mythical butt.

I'll leave you to interpret as to just why I came up with those images but suffice to say, I like drawing robots, comics and I've seen Rocky IV more times than anyone has a right to. Though I will be honest about that last one, I knew what I was going to draw after seeing the title alone.

Interesting factoid: The images are actually my first attempt at inking with a brush and I've been doing it ever since.