Dance Yourself Dizzy

A small in-between project carried out last year. Just wanted to get the name out there: https://www.facebook.com/Danceyourselfdizzyinsalford/

After all, the blurb on the facebook ^ page tells me to share:

"A group of women got together to dance, dance, dance! Supported with some funding from Ambition for Ageing! Join us. Share it."

So, below in descending order: The final image, the unused image and the sketch.

Go there if you fancy that and can get to Liverpool Street. Salford, UK.

The Manchester and London Marathon

If I'm an illustrator first, then I'm a runner second. Specifically I'm a member of "Chorlton Runners," though no membership is required. http://www.runningmanchester.com/

Recently a whole bunch of us ran marathons. Chorlton being in South Manchester, meant that many from the club ran the Manchester Marathon, though myself and several others ran London the very next weekend instead. ...Or the "Virgin Money London Marathon" to give it its full contractual title.

I ran London because I was lucky enough to win a place through Chorlton Runners (yay!). ...A wonderful, painful, exhilarating day was had... though this is slightly beside the point because this post is really about who I trained with and moreover who coached me and my fellow marathon runners to overwhelming success. ...(Success as in a) attempting the bloody thing and all the training, (or is that insanity?) or b) just getting through the bloody thing.)

To cut a long story short, by way of thanks from me and the club I dedicated a framed picture to our coach Gavin Cameron. Giver of many, many man-hours; though a self titled "Dark Lord" of blood sweat and tears, he devised our training plan and was on hand pretty much every step of the way. A good man. This picture was presented to him during the post-Manchester marathon party...

Me and Gavin: Incidentally, I was a marshal at the 

Manchester Marathon so felt entitled to join 

in with a celebratory a pint (last one before 

London, the week after - hey, I never said I 

was Mo Farah).

The caricature in all it's glorious fun-poking detail. 

Yes, he does indeed say all those things.

Me, just after finishing the London Marathon. 

Mmmm, tastes like running-bling.

Thou shalt write on the walls of Manchester Art Gallery

Thou shalt accomplish the task

1) Get commissioned.

I used to work at the gallery, so they know me. This bit was key to me scoring this job.

Scrawling text onto the interior walls of Manchester Art Gallery's early 19th collection is no mean feat; the text in question is the Ten Commandments according to Gilbert and George. It needed to be in gold and in the typeface "Anglican Text." This was part of the current "Do It!" exhibition, which in turn forms part of the current Manchester International Festival.

2) Panic and figure out how to do it.

Having never done wall-lettering before was another daunting aspect, now however, I am happy to say that I am available for weddings, bat mitzvahs etc. Here is a quick tutorial detailing the process which thankfully worked for me:

•  Purchase some thin wooden boards to practice on. 
• Find techniques that work and email images to the client to reassure them. 

Thou shalt reason that gold pens were

the way to go (in this case a bullet tip Poska Pen).

4) More figuring out and cracking on with it.

I became increasingly concerned that I could not freehand a specific typeface. Moreover, It had to look deadly accurate and I needed to work up a ladder so the idea of doing it entirely freehand was out. I looked on-line to see what other people had done.

• Rule evenly spaced lines on the wall.
• Print out the text in large light grey and stick the printed A4 sheets together using low-tack masking tape.
• Get some carbon paper and masking tape it onto the walls.

Thou shalt trace over fancy lettering.

• Stick the printed A4 text over the carbon paper and trace over it with a pencil.
• Remove the paper to see the text on the wall
• Go over it in gold pen.

 Thou shalt do one at a time to avoid smudging.

Thou might get tennis elbow.

Thou shalt stand back and admire.

• Chug down free wine at the exhibition preview.

There was another task too. Copy as near as damn it, the illustrated text of Icelandic artist and musician Ragnar Kjartansson. This was the easy bit...

I was given a print out with this lettering in black and white. 

Copy on to wall (skirting board). I said this was the easy bit.

Start repenting! 

• Get credited on labels!

 Thou shalt have name mentioned alongside the more famous.

Thanks to all the staff at MAG including Natasha Howes and Paul Morley.

Long Division with Remainders Part 2

And the rest... Here's a link to part 1

From the official site:

"Collision/Detection is the second experimental audio project from Long Division with Remainders (LDWR) which sees invited artists submit audio clips into a central pot, which is then distributed around the group for them to do with as they see fit, resulting in a series of digital EPs released across 2012 and 2013.
These EPs are now collected together for this 2 CD box set, presented in a bespoke package, letter pressed by Red Plate Press (www.redplatepress.tumblr.com) with artwork from Paul Loudon (www.paulloudon.com).

The limited first edition also includes a bonus digital album containing new tracks by Collision/Detection contributors and the original sound clips which started the series (if you order from our shop, we will email a download code to you)."

 BLK TAG

 Kemper Norton

 The Doomed Bird of Providence

 Isnaj Dui

Sone Institute

The album is available on pre-order now. LINK

From the website: "We are delighted to announce the release of the Collision/Detection box set – collecting together 9 EPs from a whole host of incredible artists, creating exclusively for the Collision/Detection project. The box set will be in shops on Monday 10th June, but you can pre-order it below."

Long Division with Remainders Part 1

Back at the end of 2011, I started creating images for a unique husband and wife music experiment called Long Division With Remainders. More specifically I provided nine illustrations for their current production; Collision Detection.

In a nutshell, the project asks various musicians to make use of a limited "pot" of sound effects in their own respective and creative ways and to come up with a couple of tracks. These monthly downloadable releases are to cumulate in a final collaborative 2-disk album, due for release soon (link below).

Here for your viewing pleasure are the first four of those images and the artists whose tracks they represent.

Psychological Strategy Board

West Norwood Cassette Library

 The Lord

Hong Kong in the 60s

 

The project really allowed me to get my creative juices flowing during a time when other commissions seemed incredibly specific and creatively constricting - literally all ideas are mine this time. Despite an entirely surreal first image, a narrative seems to develop in which a small boy builds a robot. I won't say more than that, interpret it however you like... whilst of course ideally getting lost in this fine album. Big shout out to Justin Watson for getting me involved in this.


Order away you lucky people...

Long Division with Remainders: Collision/Detection Box Set - PRE-ORDER NOW: We are delighted to announce the release of the Collision/Detection box set – collecting together 9 EPs from a whole host of incred...

Bursting onto the Web

Manchester-based digital marketing super-team Web Vitality have been busy, destroying evil monsters, wicked robots, hoodlums AND "tirelessly making websites as profitable and effective as they can possibly be."

...All I had to do was observe them as they work, pencil and sketch pad in hand, scribbling extra fast to catch them in action.

But don't take my word for it. Need a website solution? Go there.



Inks for Manchester Art Gallery's Interactive Machine!

The title says it all really. For those that don't know, as well as working freelance I also have a job working at Manchester Art Gallery. Earlier this year I was asked if I'd like to have a crack at doing illustrated interpretations of some of the paintings for their then new Balcony Project. In which gallery decided to fill the balcony space full of paintings and statues; that particular area had been devoid of artworks since Manchester Art Gallery's huge makeover completed in 2002.

Manchester Art Gallery

My interpretations along with written interpretations from other people are availiable to view on a an interactive console in the gallery foyer, situated just below the balcony in question.

Here are my images compliled into one.

Click to enlarge!

The paintings I chose (in descending order) were:
Pymalion and Galatea (1797 Louis Gauffier), Essentially a painting about a sculpture being brought to life in front of it's adoring creator.
Battledore (1906 Leonard Campbell Taylor) In which two middle class women are playing badminton indoors
and The Victory of Appollo (1716 Sir James Thornhill) - image available!! The Greek God Apollo kicking some mythical butt.

I'll leave you to interpret as to just why I came up with those images but suffice to say, I like drawing robots, comics and I've seen Rocky IV more times than anyone has a right to. Though I will be honest about that last one, I knew what I was going to draw after seeing the title alone.

Interesting factoid: The images are actually my first attempt at inking with a brush and I've been doing it ever since.