Christmas Commissions Part 1: Attack of the Golf Zombies

Unless your name is Elf, you probably want to put Christmas behind you now. However, for me this is the perfect chance to tell you about a couple of items I carried out just before the festive season... for that very reason.

"Bubbub and His Babe."

This was for a client who wanted some sort of comic book image for his brother-in-law. The guy in question is into comics, specifically Captain America whilst both himself and his girlfriend have in the past dressed up as Capt and The Silk Spectre (from Alan Moore's "Watchmen").

Take into account that the gift reciever is also something of a golfer AND gets the playful monicker "Bubba" thrown at him whilst his girlfriend gets the slightly less imaginative "Babe." It didn't take me too long to imagine a comic cover set on a golf course, featuring zombies as the stock villains. ...I took a slight leap of faith with the zombie theme and checked with the client first using this sketch (whilst pointing out that the zombies will be added later):

If I can offer a bit of advice for illustrators; it's that no amount of information, both written and visual (such as photos) from clients is too much... if you can push them into doing a sketch, do it! Get as much as you can before you begin and make notes, unless you have it in email form already. The pink hat as worn in a photo sent to me for example, is something that the client suggested would be a nice touch and I agree. ...Plus it links the title colour to the image a bit.

 This is the final image.

I used this commission as an excuse to get hold of more Pentel Colour Brush Pens. They are great and unlike say felt tips, the ink doesn't bleed when dry so you can lay down the black first and THEN colour over the top.

Zooooooming in.

I blended a couple of inks in an egg cup to get the skin colour, which doesn't show up very well on this scan. The other thing about inks of course is that unlike felt tips, a brush creates some texture but doesn't scrub the paper horribly. And there we have it, an A3 sized original.

The Apes of Wrath

 "Damn you all to hell!"

Followers of my Facebook page will know about this, however, there are extra bonuses in this blog, including a tutorial below - sort of.

I have just fulfilled an ambition: front cover of Starburst Magazine (out now!) It is the UK's longest running magazine of "cult" entertainment, beginning with a Star Wars cover back in the 70's. Speaking as someone who likes science fiction films, comics, horror (well, parts of) and several other things of that ilk then this is a big deal for me.

Little over half a year ago I did a Rocket Raccoon (Guardians of the Galaxy) poster for the very same mag, so I must have done well with my scribbling for them to call me back for something more prominent. The cover in question is the alternative Planet of the Apes cover. Which I like to think of as the retro apes cover; there is another cover which acknowledges the new movie Dawn of the Planet of the Apes (a title which sounds like it needs shortening.)

I'll go through the process for anyone interested.

1) Scamps (or sketches) I only made two...because I don't always (if ever) think a ton of sketches is a good idea, preferring one or two at a time. Anyway the one they went for was this:

2) I created the elements separately. This allowed me to move everything freely in Photoshop. So the apes and background elements such as the Statue of Liberty were drawn by hand and scanned in, looking like this:

3) Drag the elements together on screen and colour them. The rocky backdrop was done with a mouse. So I sent them this (minus signature):

4) Lastly they added their own magazine logo of an appropriate colour:

Ta-Daaaaaa!!!! - I have my copy.

The Doomed Bird Of Providence

Last Year I was given the task of illustrating the cover and poster insert for the album "Will Ever Pray," the debut of Australian folk group "The Doomed Bird of Providence".

Final Cover



This was carried out under the guidance of Justin Watson. the man behind the record label Front and Follow. As with most projects the work began with sketches, banding ideas around etc. Though the motive of a fly was pretty much there from the start. Designer Damian O'Hara kept the final album art much simple than I had planned, which was much needed as I often lack the capacity for minimalism of any sort. As you can see from this mock-up.

One of the initial mock-ups

Aside from the fly motive the general theme of the album artwork, as also suggested by Doomed Bird frontman Mark Kluzek was to appear like an etching from the 19th century during which era the album is set; depicting a dark menacing world of genuine, bloody Australian history and downright grim tales of woe. Read more about it on the Front and Follow site.

Poster insert

The images were drawn separately in pen using various references images. The actual cover and posters were ultimately screen printed. The poster also featured a banner designed by Damian which can be viewed on a T-shirt here. Unfortunately sold out! 

Text (a)

I am particularly proud of the text. It was derived from various wild and wonderful typefaces on Victorian-era books which I found from online images. Not knowing quite how it would look scaled down; the text was first drawn hollow as above.

Text (b)

With the final black text being the way to go. All art including text was drawn by hand. The poster drawings were also used in a promotional video by Paul Dawson aka THINKYMAN.

BZZZZZZZZZZZZ!!!!!